Daniel Rozenberg, who works under the artist name Dadara, began his career in the early 1990s designing flyers and record covers for the up-and-coming electronic dance scene in Amsterdam. Both avant-garde and postmodern, the enigmatic artist, designer, and cartoonist has since accomplished numerous works, most notably interactive performance installations in public space since the early 2000s. He is a master in recognising how place can influence the power and influence of the work. Dadara’s practice is a kind of tweaked mirror which reflects our society, blurring the lines between reality and fantasy. Perhaps a black mirror, but one that has a rainbow at the end of the tunnel.